Dan Lambert's experiences in Vietnam have left him no stranger to psychological wounds or death. Years later, they have also left him divorced, broke, unemployed---and on the run. For Dan, to his shock and his shame, has become a murderer.

There is a $15,000 reward on his head---a reward that two weird bounty hunters will stop at nothing to get: a reward that doesn't interest the brutally disfigured Arden Halliday. For Arden is after a different prize---one that she hopes to find deep in the dangerous swamps of Louisiana. Joining forces, Arden and Lambert head south---he to hide and she to seek. Yet there they will both become discoverers---of the dregs of American society, bloody violence, drug smuggling---and a curious destiny.

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Dear Reader,

One of the questions a writer hears a lot is, "How did you come up with that idea?" Many people seem to believe you can find the point in time where an idea for a book was born, but the truth of it is that most times you've been gathering bits and pieces of events and characters and slowly circling in on the idea that will bring them all to life.

So it was with Gone South. I think the idea began five or six years ago, the first time I saw a man standing on the street, holding a sign that said "Will Work For Food." Sometime after that, I read a magazine account of Vietnam veterans who had been contaminated by Agent Orange and were dying. I walked into a bookstore in New Orleans maybe a year after that and found a fascinating and very strange tome about freaks that included an old sepia-tone photo of a man with three arms. Also on that same trip, I took a tour of the swamp---not for any particular book, but for my own education. Later on, I watched an interesting TV show on PBS about Elvis Presley impersonators. One night on CNN, I saw a report on a Vietnam veteran who'd gone berserk and shot a couple of people, and the newscaster said that the man had been out of work for several months.

And this is how it happens. Gone South was starting to come together.

Gone South is on one level the story of a man on the run from a tragic mistake, but on another level it's the story of a man moving toward something that he doesn't fully understand. Its basic premise is that you can start out in one direction, and life and circumstances take you another way entirely, and sometimes all you can do is hang on for the ride. Gone South is about the pressures and uncertainties of life, the unfairness of it all; but it's also about toughness, and faith, and finding a way through the thorniest maze to find some kind of answer.

All the main characters in Gone South are searchers. They are moving into the unknown, on dark and twisty roads that gradually converge. They are linked by longing, by the hope that somewhere ahead lies a sanctuary from the rough wilderness of life. But, as in every journey, there's a price to be paid.

The world has become a hard place. There are difficult choices to be made, and things happen to people that knock them off the tracks. But Gone South is about fighting the good fight, no matter how tough the adversity. It's about not giving up in the face of crippling problems, of finding a way from darkness into light against all odds.

So that's where Gone South has come from. The man with the "Work For Food" sign, the dying Vietnam veterans who followed orders because they were good soldiers, the freak with three arms, the sultry Louisiana swamp, the Elvis Presley impersonators, the veteran who cracked under pressure and picked up a gun; all those are the foundation upon which Gone South is built.

It's a strange trip, into a strange place. The dark and twisty roads are waiting, and I hope you enjoy the ride.

Robert R. McCammon

Bounty hunters chase a Vietnam vet who has killed a bank officer in McCammon's strong adventure yarn.

From Library Journal

Author McCammon has made a name for himself with well-crafted horror thrillers but recently has explored other areas of fiction. Gone South contains danger and suspense, but it is primarily the story of a quest. Dan, dogged by depression and Agent Orange-induced leukemia, has accidentally killed a man. On the run, he meets Arden, a disfigured woman abandoned at a truck stop. He reluctantly agrees to help her on her journey to the Louisiana swamps where, she believes, the legendary Bright Girl will heal her. Meanwhile, an unlikely pair of bounty hunters is on Dan's trail: Flint began life as a carnival freak, with his Siamese twin's tiny arm and half-formed face protruding from his chest; he is saddled with training Cecil, a self-deprecating and pathetically friendly Elvis impersonator. These four misfits collide and, finally, arrive where the Bright Girl may actually live. What happens then has the satisfaction of a fairy-tale quest fulfilled. Their wishes come true, although not in ways they would have guessed. The four characters are wonderful. Their problems, while unusual, seem very real. And the scenes between irritated, icy Flint and soft-spoken, naive Cecil lend at times a slapstick quality to the novel. Highly recommended. Literary Guild alternate; previewed in Prepub Alert LJ 6/15/92.

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