Novelist discusses horrors of the book business
Robert R. McCammon, the author best known for his 1991 effort Boy's Life,
signs autographs Tuesday following a speaking engagement given in conjunction
with Read Alabama! Photo By: David Lazenby
David Lazenby
News Editor
Thursday, Mar 18, 2010
A best-selling Alabama novelist who spoke at Bevill Hall Auditorium in Jasper Tuesday said after his grandfather told him he shouldn’t expect to make a dime as a writer, he set out to prove the man who raised him wrong.
Robert R. McCammon, the author best known for his 1991 effort
Boy’s Life, already knew better. He’d won $10
for a war story he wrote for a contest at Banks High School in
Birmingham.
Even then, the author whose books are often categorized in the horror
genre, had a taste for the macabre. The story involved a leech attached
to a dying soldier that begins to talk to the Vietnam serviceman.
McCammon got more proof he could be a successful writer during a high
school speech class when he captivated his classmates by reading aloud
another grim yarn — this one about a spirit that causes the people
it preys upon to kill themselves.
“There were laughs as I began to read the story, but they began to
be quiet and listen,” said McCammon. When the students remained
speechless at the end of the story, McCammon said he thought to himself,
“I can do this.”
Despite his early success, McCammon found that becoming a writer was not
going to be easy when he was unable to get a reporter position after
graduating from the University of Alabama in 1974 with a
bachelor’s degree in journalism. McCammon had decided to pursue a
writing career despite his grandfather’s desire to have him join
the family furniture store business.
“When I got out of college I couldn’t find a job because it
was during ‘All the President’s Men’ when lots of
people wanted to be journalists,” the 57-year-old author said
about the autobiography by Carl Bernstein and Bob Woodward about how the
reporters uncovered the details of the Watergate scandal that led to the
resignation of President Richard Nixon.
Eager to break into the field, McCammon said he approached another
writer who was featured in Read Alabama!, a program that each year
brings state authors to speak at the Jasper campus of Bevill State
Community College.
“I was so desperate that I called Kathryn Windham Tucker and
passed myself off as a writer for People magazine,” he said.
McCammon revealed a penchant for comedy Tuesday when he talked about the
startle he received at the home of Windham, who is known to live with a
ghost she calls Jeffrey.
“We were talking and the back door goes SLAM!” McCammon
said. “She said, ‘Oh, that’s Jeffrey.’ And I
thought, ‘Jeffrey knows! He knows!’”
Book Smarts
Finally, McCammon got a job as a copy editor at the Birmingham
Post-Herald. One day he went into the city editor’s office armed
with a batch of feature columns he’d written in an effort to get
published. McCammon said the editor — who told the author his
words would never be published in the Post-Herald as long as he was in
charge — was not unlike other “obstructionists” he met
throughout his literary path.
McCammon said these naysayers are often revealed through their body
language.
“I’ve met many people who are obstructionists — the
people who sit and lace their hands behind their neck and lean back in
their chair and survey the room — and say ‘no’ because
they can say no,” McCammon said.
Although McCammon struggled to get an article published in the newspaper
that went out of business in 2005, he had better fortune in getting into
print his first novel, Baal, which was published in 1978.
“It happened to come along at a good time. It was the time of
Stephen King. It was the time of horror novels. So, it was picked up
just like that,” McCammon said. “I was marketed as a Steven
King imitator — and that’s what I was — and the
corporation (Pocket Books) needed a Stephen King imitator.”
Having an imagination similar to King worked in McCammon’s favor
until he decided to break out of the mold he was pushed into by the
publishing industry.
Because his publisher, Pocket Books, lacked the enthusiasm McCammon had
for Boy’s Life, he said he threatened to break his
contract with the company. Fearful of losing their scribe, the company
gave up efforts to make changes to the book in an effort to make it more
successful.
Although it wasn’t the first time marketing department executives
had tried to force him to make his stories more commercially viable,
McCammon said it was his company’s attitude toward
Boy’s Life that ruined his relationship with his
publisher.
“You know — something about my relationship with
Pocket died,” McCammon said.
Boy’s Life which has gone on to become a literature
class staple in schools across the country, eventually would win the
1991 Bram Stoker Award, which McCammon had won with his previous
published work, Mine.
McCammon said winning the literary award didn’t compare to
learning that a recently deceased man was such a fan of
Boy’s Life that he had a copy of the coming-of-age
novel set in Alabama buried with him.
“What more can a writer ask for than to accompany someone on their
final journey?” he asked his audience Tuesday.
After McCammon’s follow-up to Boy’s Life a
book titled Gone South, McCammon decided he was fed up
with the publishing business.
“For eight years or so, I didn’t write a word,”
McCammon said.
A novel approach
When Film director Frank Durabont, (The Shawshank Redemption)
approached McCammon about his desire to write a film
adaptation of Mine, the writer decided it was time to
return to his craft.
However, this time around, McCammon decided he was not going to imitate
anybody. Because it was so different from most of his other work,
Speaks the Nightbird, a book set in colonial America, made
his publisher nervous.
“People in publishing get very nervous when there is no model to
base your book upon,” he said.
For his next book, Queen of Bedlam McCammon chose to
continue the adventures of Matthew Corbett, the young detective at the
center of Speaks the Nightbird.
In January, the series continued with the third installment of the
Matthew Corbett saga, Mister Slaughter, which was
recently nominated for an American Library Association Award.
“Matthew Corbett, we think, is going to replace Sherlock Holmes as
the most famous detective,” said Jake Reise, the owner of Alabama
Booksmith, who introduced McCammon Tuesday. Reise added that McCammon is
“one of the most successful Alabama authors of all time.”
Other novels written by McCammon include Usher’s
Passing, the winner of the Alabama Library Association Alabama
Author Award; Swan Song, a co-winner of the 1987 Bram
Stoker Award; and Stinger, which was nominated for the
1988 Bram Stoker Award, a prize created by the Horror Writers
Association that is named for the author of Dracula.
Currently, McCammon is planning a return to horror with his next book,
The Five that centers around a retiring rock band on a
final tour that writes a song that awakens what McCammon describes as
“a dark force.”
While on vacation with his wife, Sally Sanders, and daughter, Skye,
years ago, McCammon got a phone call from his agent that affirmed his
success. The agent called to tell McCammon that a publisher had offered
him $60,000 for a two-book deal.
It was then that McCammon fully comprehended that he had succeeded in
proving his grandfather, Robert C. Bundy, wrong. “I realized I was
really a writer,” he said.
“I’ve come to the conclusion I’m right where I need to
be,” McCammon said. “This is what I was born to
do.”
McCammon said he turned to writing as a means of getting away from a
pugnacious household. “I needed a way to escape that incessant
arguing, screaming and bad vibes,” he said.
McCammon ended his lecture with advice for others who aspire to be
writers.
“Get ready for a long, long battle, but don’t give up the
fight, because it’s worth winning,” he said, adding that
writers have to keep believing in themselves — even when naysayers
try to steal their confidence.
“Ladies and gentlemen,” McCammon said in conclusion,
“I’m going to win.”
Copyright © 2010 by Daily Mountain Eagle. All rights reserved.
Reprinted with permission of the author.
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