Salt Lake City hosts the 2012 World Horror Convention and Bram Stoker Awards on March 31, 2012.  On March 29, the Columbus Library, a branch of the Salt Lake County Library, will host a reading and signing from 7 to 9 PM.  The event will be open to the public.  The authors scheduled to participate are Robert McCammon, Sherrilyn Kenyon, P.N. Elrod, Joe R. Lansdale, and Rick Hautala.

The Columbus Library is located at 2530 East 500 South, Salt City, UT.  Click here for more details.

Subterranean Press posted this on their website this morning:

Robert McCammon — Read the First 120 Pages of THE PROVIDENCE RIDER

Want an early, extensive look at Robert McCammon’s major new historical novel, The Providence Rider? We’re happy to provide one. Please head over to the book’s page, where you’ll find a gigantic free sample of Matthew Corbett’s latest adventure, available as a pdf, and in mobi and epub formats.

Oh, and the image above? They’re the endsheets from the signed limited and signed trade editions. The Providence Rider is going to be one beautiful book, as well as one thrilling adventure. Don’t miss it.

Posted on Monday, March 5th, 2012 at 9:39 am.

Behold the spectral rider that signifies the coming of Robert McCammon’s classic novel, Bethany’s Sin. Tomislav Tikulkin has contributed not only the dust jacket, but full-color endsheets to our edition of McCammon’s tale of small town horrors unleashed.

First published as a paperback original in 1980, Bethany’s Sin was Robert R. McCammon’s second novel. Like its predecessor, Baal, it offers a frightening, thoroughly imagined portrait of ancient forces set loose in the modern world. Like Baal, it is both a notable accomplishment in its own right and an invaluable glimpse into the formative years of a major writer, a man whose raw narrative talent was apparent from the start. This deluxe new edition offers McCammon’s many fans the definitive version of a significant early work, a book that foreshadows the later-and larger-accomplishments to come.

Bethany’s Sin is right on schedule for its publication this fall. The signature pages are nestled safely in house, and we’re giving the book a final proofread.

Limited: 1000 signed numbered hardcover copies: $75

Lettered: 26 signed copies, leatherbound, housed in a custom tray case: $250

Hello everyone. Thank you for checking in on my website and Facebook, and of course for reading my books and supporting my work.

Supporting “my calling”, I ought to say, and I’d like to talk a little bit about that today and what it means.

As most of you may know, I did “retire” a few years back. I thought I was done. This was not really my decision, but a set of circumstances that led me to the conclusion that I was finished as a writer and there was no point in going forward. At that time, I figured I would just kinda coast and find out what else life had in store for me.

Well…it happened through another set of circumstances that I was “called” back. Yes, really. I heard that calling very clearly. Things happened that brought me back into the field of writing. I am not the same as I was and certainly not in the same place I was. It’s interesting to me that after ten years of being “back” many people who read my earlier work have no idea I am back writing. If they find out, it’s usually a big surprise to them. But I am working, and working very hard, and I believe my best book is still ahead of me.

I have always been very blessed to be able to “see” something in my head and write it down as I see it. I have been blessed to be able to put stories together, create people, and essentially build worlds that did not exist before. The creative process to me is still amazing. It’s mystic, really. A mystic journey into the unknown. I still don’t understand it, but I surely do appreciate it.

I am asked—as most writers are—where I get my ideas. There is no one answer to that. I just know I am “open”. Only recently I got a story idea from an old photograph in a book. The wheels started turning. As will happen, my mind will work this idea like a Rubik’s Cube over the next year or so, while I’m working on another book. There will be a place in my head where this book idea will be “tested” for strengths and flaws, and slowly but surely I’ll decide if it’s a viable subject and if I will remain interested enough in it for the seven to nine months it takes to get the story written. This is how it happens. An overheard comment…a photograph…a dream…a news story…a wish or a fear: the book may be born from all those, and more.

An important thing, this is…I want to be able to write what I feel I want to read, but I can never read it unless I write it. It of course has to hold my interest over a long period of time. It has to have a depth that fascinates me and keeps me going. I have said it’s like a painting that comes to life, revealing all sorts of  colors and layers that you didn’t know were going to be there where you made the first brushstroke.

It’s a long journey, to be sure. Each book has a different personality. Each has its own problems to be solved and offers its own rewards. I’ve worked on books that posed tremendous problems of timing, in that characters had to “be” in a certain place at a certain time. I’ve worked on books that worked on me in my sleep, causing me to try to solve their problems in dreams. I’ve worked on books where characters resisted the actions I wanted them to perform, and seemed to “correct” me or take off on their own.

Oh yeah…the characters. I’m working on something now where I’d planned the lead character to die in what would have been—hopefully—a very  wrenching scene. Well, this bad boy says “No way, Mac! After what you put me through, I ain’t goin’ out!” So there you go…he refuses to be killed as a reward for his bravery, and so he will live to fight another day.

As I say, it’s a mystic journey. I don’t work from an outline, so sometimes I am very surprised as to how things develop. I think the work is more difficult and slower because I don’t use an outline and haven’t solved all the problems beforehand, but to me the work stays fresh this way and I always am excited to come back to it.

Someone asked me if I ever get “stuck”. No, I don’t. Here’s my secret: when I finish writing for the day, before I get up from my desk I always type one letter for the next line. The letter is random. D…H…K…B…whatever. So when I come back to work, I begin the next sentence with that letter. Might not work for everyone, but it does work for me.

My calling. I’ve often thought what else I might have done or been in this life. I always come up thinking that, for better or for worse, I am exactly where I need to be. I don’t think I chose writing as a career, I think it chose me. Does that sound strange or pretentious? I was writing short stories in the first grade. I was “seeing” things that I wanted to express and describe at a very early age. My calling. It called me, even when I thought I was done. Especially when I thought I was done. It reached out for me and brought me back.

Now, it didn’t and does not and never will promise an easy road. I will tell you that this is one of the most difficult callings a person can have.  Imagine…you have a story to tell and you must tell it, you have characters to birth and worlds to create and you must—you must—do this to be true to the fire that illuminates you…yet you must do this alone. No one can help you define and refine these visions. You must be apart from other people, for such a long time. It is a very lonely calling. No one can do this for you. The mystic journey cannot be shared by anyone else.

It is a solitary trip, with an uncertain destination…because how can you be sure when this book is finished that any publisher will want it or anyone will want to read it?

But if it’s your calling, you have to take the risk. As a matter of fact, your entire life becomes a risk. How long do you devote to a project, if it’s not immediately coming to life? Is the breakthrough on the next page? In the next chapter? Would you be better off working on something else? But…if you give up…are you a failure? Or are you a failure if you keep on working at some creature that you thought would come to divine life only to find that it is a half-life, an artificial life, a forced life…and you should have known a hundred pages ago to let the creature sleep?

Risk and rewards. Or risk and no rewards. But always risk.

The book must be my Paradise. It must be a place I want to visit and revisit, and live in for not only seven to nine months but for the rest of my life…because it’s going to have my name on it. It may have gone through many hands…some tender and caring, some dumb and rough…but in the end, it always has my name on it and so I take responsibility for every word and every thought.

There are not very many other professions where one person signs their name to the work. One person. Opening yourself up to whatever may come to praise you or to bury you. So toughness is also part of this journey. That, and understanding you will never be perfect. You will never write the perfect book, the book that has no error (or typo!). But still, even knowing that…you do have to try.

And that I guess is the heart of my calling. The eternal effort. The trying and trying, as much as someone might try many keys on a difficult lock to open the door to a room that entices and beckons yet promises nothing. What is beyond that door? I don’t know…but I have to find out.

The eternal effort and the curiosity. The risk, the toughness, the work that can only be done alone. The feeling that no book can ever be perfect, yet the next one might be. The drive that says if you wish to read this, you must write it…because no one in the world, no one who has ever existed or ever will exist again, can create it in the same way that you will.

So I embrace my calling. I embrace all of it, the highs and the lows…the past, the present and the future. I am, as with every other writer, part of the heart and soul of the world of creation. We are the night workers, the daytime dreamers, the fighters in the trenches for so many things that lie on the edge of being lost. Our calling is huge, vital and important. Without the voice of the writer, who could sing? Who would speak for those who often can’t? And who would dream for those who have lost faith in dreams, in our troubled and very uncertain age?

I embrace my calling. And though it does not and never has promised an easy road on this mystic journey, I am sure without a doubt that it embraces me.

Thank you for being here, and thank you so much for reading my work.

 

Best Wishes,

Robert McCammon

Sample shirts for featuring Vincent Chong's art

The T-shirts we did for The Five were popular enough that we decided to offer T-shirts featuring the cover artwork from Mister Slaughter and The Providence Rider.  Vincent Chong’s fantastic covers look great on a T-shirt!

The purpose of the shirts is simply to help promote the Matthew Corbett books. In order to keep the costs down, no profit is made from these shirts; the prices shown are the actual costs of the shirts from Spreadshirt.com. A variety of shirt types, colors, and sizes are available.  Additional shirt styles can be added to the store, so if you don’t see the type of shirt you want, drop me a line and let me know what you want.

Robert McCammon T-shirts at Spreadshirt.com

Note that the printing and shipping of the shirts is handled entirely by Spreadshirt. In my experience, it takes about 7 to 10 days for U.S. orders to be delivered.

Once again, I’ve managed to locate cover scans of more books that I didn’t previously know about.  In the ’90s, several of Robert McCammon’s short stories were included in anthology reprints in Finland. The books includes translations of Night Visions 4, Night Visions 8, New Stories from the Twilight Zone, and Hot Blood. In addition, a fifth anthology included a reprint of “The Deep End.”

The covers for all of those have been added to the Book Cover Gallery, along with a second printing ARC for The Providence Rider, an advertisement for a 1992 book signing in Nashville, the cover art for the recent hardcover edition of Illustrated Masques, and the cover of a UK edition of Otto Penzler’s recent Zombies anthology.

Speaking of Illustrated Masques, a trade paperback edition of that book will be published in July 2012 by IDW. The book includes a graphic adaptation of Robert McCammon’s “Nightcrawlers.”












 

From Subterranean Press — THE PROVIDENCE RIDER Production Update

We’re deep in production on Robert McCammon’s upcoming historical thriller, The Providence Rider, which means that praise is starting to roll in. We’re only too happy to share the good words with you.

From Joe R. Lansdale:
“Wow, McCammon is back with a vengeance, and he’s riding high with The Providence Rider. Historical, strange, creepy, and engaging as all of McCammon’s work is. I highly recommend it.”

From William Browning Spencer:
“I just finished reading The Providence Rider. It may be the best of the series so far. Beginning with Speaks the Nightbird, Robert McCammon’s only credible competition is Robert McCammon. As is the case, I suspect, with most lifetime readers, I’m somewhat jaded, less likely to be bowled over by a book. But reading The Providence Rider created a feeling akin to what I experienced reading Kidnapped or A Princess of Mars when I was a kid.”

From Famous Monsters of Filmland:
The Providence Rider is an absolutely brilliant historical thriller that will keep you turning the pages at a feverish pace as Mr. McCammon takes you along on a grand adventure full of action, intrigue, violence, love and friendship… [The Providence Rider] contains the best of what I liked about the first three books, while adding substance and depth to Matthew, and introducing us to some new and interesting characters that I will be looking forward to getting to know better in future tales.”

From Horror Drive-In:
“In The Providence Rider, Corbett is launched quite literally into his most exotic adventure yet. Already targeted by the nefarious ‘Emperor of Crime’, Professor Fell, Corbett is taken against his wishes to an island where the Doctor reigns supreme. Though Fell has previously marked Corbett for death, he now needs the young problem solver to help him with some of his own troubles… What makes this series work so, other than McCammon’s flawless depiction of the past and the exquisite language he conjures it up with, is the basic decency of Matthew Corbett. The young detective is intelligent, tenacious, honorable, and simply a good human being. Yet no man can face the evils Corbett faces in these books and remain wholly innocent.”

On the production end of things, we’re doing quite well. The signature pages are in hand, while Vincent Chong maintained the high marks he set with the art from Mister Slaughter. (You can see full color and black-and-white examples at The Providence Rider page). Rick McCammon is taking his final proofing pass through the book. We are set to publish, right on time, in May.

Posted on Sunday, February 5th, 2012 at 12:11 pm.

The first three reviews of The Providence Rider have appeared on the ‘net.  All are spoiler-free:

The Providence Rider will be published in May 2012 by Subterranean Press.  You can pre-order several editions from Subterranean Press.

 

Artist Vincent Chong recently completed the artwork for the upcoming Subterranean Press release of Robert McCammon’s The Providence Rider, the fourth book in the Matthew Corbett series.  He posted a few examples of the artwork on his blog.  Vincent wrote:

As with Mister Slaughter, I did a number of B&W interiors, but for this one I also provided colour endpaper art (which you can see below) and two colour interiors, one to go with the new story, Death Comes for the Rich Man (another Matthew Corbett adventure), that accompanies this volume.

You can click on the images below to view larger versions of the art. The Providence Rider can be pre-ordered here.

Congratulations to Vincent, who last year received two British Fantasy Awards for ‘Best Artist’ and for ‘Best-Non Fiction’ for his art book Altered Visions. He was also nominated for the 2011 World Fantasy Award for ‘Best Artist’.