Month: June 2010

Robert McCammon will be a guest at the Surrey International Writers’ Conference in Surrey, British Columbia, Canada, from October 22–24, 2010. While the conference is geared toward writers, there is a signing event that’s open to the public on Saturday, October 23, 2010, from 5:30 to 7:00 PM.

This year, Mr. McCammon is scheduled to conduct two workshops and to particpate in a panel discussion.

 

  • Page One
    Speaker: Robert McCammon
    Time: Friday 1:30pmHow to (really) get started. What do you need? How far along do you need to be on an outline or plot? Time to stop wasting time and get started on your writing project…but exactly how? And how important is Page One, anyway? That’s what we’ll be covering. (Come prepared to write in class).

     

  • An Eye and an Ear For Dialogue
    Speaker: Robert McCammon
    Time: Sunday 9:30amDialogue can make or break any writing project. How do you know it’s any good? Learn to see good dialogue on the page as well as hear it in your head. Come prepared to write in class.

     

  • A Sense of History
    Moderator: Jeffery McGraw
    Panel: Anne Perry, Jack Whyte, Robert McCammon, Diana Gabaldon
    Time: Friday 3:30pmWriting historical fiction poses unique challenges and offers unique rewards. Our panel gives some insight into the process of crafting stories set in the past that appeal to modern readers.
  • The still-in-development Blue World movie from Frontsight Productions was mentioned on the website ReelChicago.com on June 16, 2010: 

    Rutger Hauer attached to thriller feature

    Producer Nehs plans to shoot here next spring

    Action actor Rutger Hauer

    PRODUCER MICHAEL NEHS of Frontsight Productions is slated to shoot Blue World, his long-in-development thriller, in Chicago next spring.

    Director Charley Rivkin and Adam Witt adapted Robert McCammon’s Bram Stoker Award-winning short story, about a priest resisting his desire for a porn star he’s trying to protect from a serial killer.

    Nehs says Rutger Hauer, Bryan Dennehy, Steven Weber, Seymour Cassel and Kaitlin Doubleday are attached to star. Frontsight is a division of Nehs’s Templar Studios, which long has had plans to construct a post-production facility in Old Town. See frontsightproductions.com.

     

  • A new mass-market paperback of Le Mystere du lac, the French translation of Robert McCammon’s Boy’s Life, has been released in France by Pocket. The new cover art for the book has been added to the Book Cover Gallery. Click on the image below to see a larger version of the cover.The book should be in French bookstores now. It can also be ordered from online bookstores, including Amazon.fr.

     

  • Artist Vincent Chong has posted his revised artwork for the cover of the upcoming Subterranean Press limited edition of The Wolf’s Hour. Click on the image below to see a larger version of the art. 

 

Hi again, guys. I wanted to check in and thank you for all the kind comments about Swan Song. I’m glad you enjoyed that book and certainly glad you still have an interest in it.

I see that James Melzer’s review of Swan Song includes a picture of the original cover, and I have a story to tell you about that.

When that original cover was presented to me at Pocket Books, I hit the roof. I begged and pleaded for them not to use what I considered to be a “cartoon” depiction of evil. I offered all sorts of options. I even drew my own picture of what I wanted the cover to be, which was a nuclear cloud with a barely-defined “face” within it. (Actually, that picture was used in a reprint edition).

Anyway, I went around and around with the publisher at Pocket over what I thought was a “comic-book” cover. Basically, I was patted on the head and told to go away, because the art director knew what sold and he knew what the market wanted to see.

I asked to speak with the art director.

He walked into the office wearing, as I recall, a hot-pink tie with a sickly-green coat. Looking at his mismatched and garish clothes made me feel a little sick. But I realized, this is why the garish colors are on the cover of the original Swan Song…art is in the eye of the beholder, even if that eye is nearly half-blind or otherwise unable to see anything but a blast of miasmic and frenetic hues.

So…that’s why the incandescent red-and-orange clown face is on the cover. They came to their (color) senses only years later at Pocket, with the latest edition that I think looks very good. But that first cover…OMG!!!

Again, thanks for the comments!

Best Wishes,
Rick

Subterranean Press has posted the following update on their site:

Have a look at Robert McCammon’s The Wolf’s Hour page, where we’ve just posted two of the full-color interior illustrations, including the foldout death train scene. The book is progressing nicely, on schedule for its fall release. We’ve designed the book and proofread it once, and are going through it a final time. Now that all of the art is in, we’ll be ordering Advance Reading Copies in the next week.Speaking of the art for The Wolf’s Hour, Vincent Chong blogged a bit about the influences behind his striking cover for the book.